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Gertrude Fragments throws focus on Brett Dean’s clear and lyrical text setting… we hear little unorthodoxies or extended techniques in service of the words and a performance from Lotte Betts-Dean that gets through plenty of gears, illumination and psychological probing.
— Andrew Mellor, Gramophone Magazine
starkly beautiful ... MacRae wrote the majority of the music on this album especially for Betts-Dean after hearing her perform his The Lif of this World a few years ago, and it’s easy to see why her distinctive, plangent voice and insightful way with text proved such a wellspring of inspiration.
— Presto Music Editors Choice
...Gertrude Fragments for mezzo and guitar are far from mere studies, standing as complete, nay almost perfect, works in themselves. They find the ideal advocates in... mezzo-soprano Lotte Betts-Dean and guitarist Andrey Lebedev...
— Will Yeoman, Limelight Magazine
Betts-Dean is utterly compelling throughout, with immaculate diction and a full palette of colours available across her wide range...
— Katherine Cooper, Presto Music
Betts-Dean, who has an acute response to the texts, is equally at home in the pastoral wistfulness of Gerald Finzi and Imogen Holst as in the quirky originality of Kerry Andrew
— Fiona Maddocks, The Guardian
It was a musical dance around the world with... the UK-based mezzo-soprano Lotte Betts-Dean rousing the rabble with her robust voice and mastery of lingo, singing in seven different languages.
— Gemma Regan, Limelight
Lotte Betts-Dean’s performance was powerful and lyrical, exhibiting a masterly control of both vocal range and colour. Shifting timbre from ghostly thin incanting to the wild throes of a full-bodied dramatic mezzo, Betts-Dean’s devoted performance captured all the ecstasy and drama of Messiaen’s poetry with a mature artistry.
— Andrew Aronowicz on Messiaen's Harawi, Limelight Magazine
Betts-Dean gave a mesmerising performance...
we were engrossed in not just what she was opining, but her movements and her facial contortions. At times she looked as though she was about to leap into the audience, so manic did she appear.
— Peter Goodbody on Pierrot Lunaire with Manchester Collective, Getintothis UK
Her tone was at once pure and thick with power; with expressive gestures flowing from her arms and face, she appeared to place herself entirely and unconditionally into the music.
— Stephanie Eslake, on Bach at Dark Mofo Festival, Limelight Magazine
Betts-Dean has an excellent voice; she can control her notes beautifully and she sings with joy, warmth, and an open heart.
— Therese Saba, on Feb 2019 Wigmore Hall Recital, Classical Guitar Magazine
Lotte Betts-Dean’s narration (in perfect French) delivered drama in spades.
— Maxim Boon, on Stravinsky's Persephone with MSO, The Age, July 19
review: oxford lieder - art muse london, nov 2020
article: st pancras clock tower recital - the arts desk, June 2020
Article: australian bushfire benefit London, abc classic, March 2020
feature: gen next in Australian music - limelight magazine, Oct 2019
review: London song festival recital, planet hugill, October 2019
interview: 'on the wide world of song' - limelight magazine, july 19
review: 'for peace and country' at tete a tete festival - classical source, aug 19
review: canteloube at afcm - limelight magazine, aug 19
review: dowland at afcm - limelight magazine, july 19
review: coates at afcm - limelight magazine, july 19
5* review: stravinsky 'persephone' with Melbourne Symphony Orchestra - Limelight Magazine, July 19
review: stravinsky 'persephone' with melbourne symphony orchestra - The Age, july 19
review: 'hush' with rubiks - cut common, july 19
review: 'hush' with rubiks - sydney morning herald, july 19
review: 'hush' with rubiks - limelight magazine, july 19
interview: in conversation - rehearsal magazine, july 19
review: 'My heart swims in blood' at Dark Mofo Festival - Limelight Magazine, June 19
interview: on programming and dark mofo festival - CutCommon, June 19
5* review: Pierrot Lunaire with Manchester collective - North west End, Nov 2018
review: Pierrot Lunaire at RNCM with Manchester collective - Number 9, Nov 2018
review: Pierrot Lunaire with Manchester Collective - Getintothis, Nov 2018
Interview: City Music Foundation death speaks project, june 2018
reviews: 'A Tasmanian Requiem' presented at Theatre Royal Hobart, April 2018
Review: Christmas Oratorio with ACO- Limelight Magazine, Dec 17
Review: Christmas Oratorio with ACO- Classic Melbourne, Dec 17
Review: Buxton Festival Recital- The Guardian, Jul 17
Profile/Interview: Australian Women London, Aug 2017
Interview: CutCommon Magazine, April 17
Review: Messiaen's Harawi - Limelight Magazine, April 17
Recital Review in CutCommon Magazine, May 17
album review for Stuart Greenbaum: Mondrian Interiors- Limelight Magazine, July 16
Album Review: Destino Mexicano with La Compania, Daily Telegraph, May 14